The bickering of vowels on the buses,
I didn't know what to hold, to keep.
Airless, humid dark. Leaf-noise.
let the world I knew become the space
was nothing more than what you’d lost and how:
An Irish Childhood in England: 1951
Eavan Boland
An Origin Like Water: Collected Poems, 1967 - 1987
New York:
W.W. Norton & Company , 1996
the clicking thumbs and the big hips of
the navy-skirted ticket-collectors with
their crooked seams brought it home to me:
Exile. Ration-book pudding.
Bowls of dripping and the fixed smile
of the school pianist playing "Iolanthe,"
"Land of Hope and Glory"
and "John Peel."
At night, filled with some malaise
of love for what I’d never known I had,
I fell asleep and let the moment pass.
The passing moment has become a night
of clipped shadows, freshly painted houses,
the garden eddying in dark and heat,
my children half-awake, half-asleep.
The stirring of a garden before rain.
A hint of storm behind the risen moon.
We are what we have chosen. Did I choose to? --
in a strange city, in another country,
on nights in a North-facing bedroom,
waiting for the sleep that never did
restore me as I’d hoped to what I’d lost --
between the words that I had by heart
and all the other speech that always was
becoming the language of the country that
I came to in nineteen-fifty-one:
barely gelled, a freckled six-year-old,
overdressed and sick on the plane
when all of England to an Irish child
was the teacher in the London convent who
when I produced "I amn’t" in the classroom
turned and said -- "you’re not in Ireland now."