History In Art
I had not intended to write about art this evening. But then up jumped the local paper with a story about an artist from Utah that had painted his vision of faith, freedom, and patriotism. If you click on the painting, you get a nifty tool that lets you zoom in and see the details. The same tool also gives the artist, Jon McNaughton, an opportunity to offer an explanation for each and every person in the painting. And the stars. And the papers on the steps in the foreground.
Having art connoisseurs tell you what a work of art [painted or otherwise] is often frustrating. Having the artist do so is just a little more weird than I'm comfortable with.
I had to look. A curious work.
Although I have a strong preference for representational art, Mr. McNaughton's work left me uninspired. It is as if he thought slathering on a layer of patriotic characters here, a layer of historical characters there, and a bit of condescension in the corner all surrounding a central dollop of Jesus was in some way a unique perspective worth hours of labor. I think from this work, one can infer that Mr. McNaughton equates Jesus with freedom. From his commentary online, it appears that he is open to the idea that such freedom extends to people of other faiths and experiences.
Except for liberal-professor-reporter-judge-politician-lawyer-Hollywood types. I guess everyone has to have an asterisk somewhere.
In case it isn't obvious, I love America. I love where we started. I love the historical trip we've taken together to get where we are. I love the ideals of freedom that we are forever failing to meet. I love that people come here to freedom that they can't get in their home countries. I love that we do what we can to so that more people can have freedom where they are.
I love the flag because of what it ideals that it embodies. Some people have "comfort food" that makes them feel good. I put on one of my Marine Corp ball caps and salute the flag in the front yard.
But this painting is just a bit much for me. The conflation of a religion that has had moments of historic intolerance with the cause of individual liberty is more than my libertarian minded heart can take.
Let's be honest. Religiously inspired government actions in the service of enforcing morality have be the source of some of the most damaging policies in our nation's history. Prohibition, slavery, Jim Crow, welfare all come to mind as pretty clear examples of where religious verve have served against the interest of the individual liberty that our Constitution purports to defend.
Perhaps it would be less disconcerting if Jesus were not portrayed as being not simply central, but pivotal to the American existence. There's a difference between being one of many at the table and being the table.
What I find most interesting about this work is how the artist views America and our history. What is also interesting is some of the less positive commentary that has been directed towards the artist and his work. Presumption is apparently a good friend to every corner of the country.
Predictably, there have been a couple of attempts at parody of Mr. McNaughton's art. This one is pretty inspired.
This parody from Shortpacked....not so much. Although it does have the benefit of a widget to permit commentary associated with each individual in the painting, more than a few of them demonstrate ignorance and pretentiousness. One example being the note for Robert Livingston that suggests that he didn't sign the Declaration of Independence because he didn't believe in breaking with England. The truth is that he was recalled to New York before the signing took place. Another example being the black soldier bearing the name King with the inference that apparently the lack of Dr. King's presence was an indication that it is possible to have too many black guys in a painting. In reality, the artist had difficulties with the King Foundation that resulted in his not being able to include Dr. King in his work.
by Dann
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